Creative Inspiration
Creative Inspiration
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betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
betype:

Rufina by Typotype.
Designer: Martin Sommaruga
Rufina was as tall and thin as a reed. Elegant, but with that distance which well defined forms seem to impose. Her voice, however, was sweeter, closer and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image.
Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back and thatís why she is pierced by a story which precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze and even though they found no words to say to each other and they stayed in silence, somehow some words leaked into that gaze because since that moment they were never apart again.
Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes the silent words sustained that indescribable love that they didnít even try to understand.
And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift.
Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
Get it here: http://myfonts.us/qWzB8O
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designersof:

Catherine Askew
a-skew.tumblr.comA new illustration project based on fungi that has inspired me to increase the range of products in my online shop. You can buy it as a print, tote bag and phone case.
**NOTE: Don’t actually eat any of these. They’ll make you very ill, or dead.website - shop - etsy - twitter - blog
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get your work featured by submitting it to designersof.com
designersof:

Catherine Askew
a-skew.tumblr.comA new illustration project based on fungi that has inspired me to increase the range of products in my online shop. You can buy it as a print, tote bag and phone case.
**NOTE: Don’t actually eat any of these. They’ll make you very ill, or dead.website - shop - etsy - twitter - blog
————————
get your work featured by submitting it to designersof.com
designersof:

Catherine Askew
a-skew.tumblr.comA new illustration project based on fungi that has inspired me to increase the range of products in my online shop. You can buy it as a print, tote bag and phone case.
**NOTE: Don’t actually eat any of these. They’ll make you very ill, or dead.website - shop - etsy - twitter - blog
————————
get your work featured by submitting it to designersof.com
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betype:

Helvetica Specimen by Wanda Heras.
betype:

Helvetica Specimen by Wanda Heras.
betype:

Helvetica Specimen by Wanda Heras.
betype:

Helvetica Specimen by Wanda Heras.
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rawbdz:

Popescu Ema Andreea aka zumzzet 
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rawbdz:

The Dark Hero
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rawbdz:

Variation of a Batman’s vintage logo accompanied by Japanese aesthetics…Influenced from Batman Vampire Trilogy: Red Rain, Bloodstorm & Crimson Mist
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rawbdz:

Valley Maker: Jacob and Esau by Marcus Williamson
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2headedsnake:

Vasilis Avramidis
2headedsnake:

Vasilis Avramidis
2headedsnake:

Vasilis Avramidis
2headedsnake:

Vasilis Avramidis
2headedsnake:

Vasilis Avramidis
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betype:

Creative Manifesto.
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typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
typostrate:

Relax & Move
That’s the way of the designer and typographer Andy Smith from Hastings, East Sussex, UK. To his clients he can count Mercedes, McDonalds, The Guardian, Expedia, Sony, Vodafone and many more. Like the list says he is big player when it comes ot typography. And why? Because he is relaxed and moves after having the flow of design. The images above are only a small part of the big collection he did, but they show his various style and great passion for handlettering and custom typefaces. Enjoy them!
Follow Typostrate on:
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supersonicart:

Michal Lukasiewicz.
Paintings by Polish artist Michal Lukasiewicz:
Read More
supersonicart:

Michal Lukasiewicz.
Paintings by Polish artist Michal Lukasiewicz:
Read More
supersonicart:

Michal Lukasiewicz.
Paintings by Polish artist Michal Lukasiewicz:
Read More
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fer1972:

Artworks by Nikola Larini
fer1972:

Artworks by Nikola Larini
fer1972:

Artworks by Nikola Larini
fer1972:

Artworks by Nikola Larini
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fer1972:

Drawings by Sophia Ahamed
fer1972:

Drawings by Sophia Ahamed
fer1972:

Drawings by Sophia Ahamed
fer1972:

Drawings by Sophia Ahamed
fer1972:

Drawings by Sophia Ahamed
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moleskinelovers:

diegotenorio:

Stand up and always fight! Process and conclusion of another stippling illustration! Medium is fine pen marker on moleskine.
I made this as a message for myself and everyone else who wants to live by making what they love, we must never give up!

For more artworks and updates please go to http://diegotenorio.tumblr.comand support and enjoy! Cheers!
moleskinelovers:

diegotenorio:

Stand up and always fight! Process and conclusion of another stippling illustration! Medium is fine pen marker on moleskine.
I made this as a message for myself and everyone else who wants to live by making what they love, we must never give up!

For more artworks and updates please go to http://diegotenorio.tumblr.comand support and enjoy! Cheers!
moleskinelovers:

diegotenorio:

Stand up and always fight! Process and conclusion of another stippling illustration! Medium is fine pen marker on moleskine.
I made this as a message for myself and everyone else who wants to live by making what they love, we must never give up!

For more artworks and updates please go to http://diegotenorio.tumblr.comand support and enjoy! Cheers!
moleskinelovers:

diegotenorio:

Stand up and always fight! Process and conclusion of another stippling illustration! Medium is fine pen marker on moleskine.
I made this as a message for myself and everyone else who wants to live by making what they love, we must never give up!

For more artworks and updates please go to http://diegotenorio.tumblr.comand support and enjoy! Cheers!